Allah-Las w/ Rahill @ Colony

ALLAH-LAS

The Stuff / Zuma 85 signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Recorded in the midst of the shift from the Old World to whatever branch of reality we’re on now, it’s a return, too. The album will be released October 13th on their own label, Calico Discos, in partnership with Innovative Leisure, which released early defining statements like Allah-Las (2012) and Worship The Sun (2014).

For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. The Stuff / Zuma 85 finds the quartet facing a new world with a wealth of new sounds, drawing from an eclectic mix of progressive rock, prog, kosmische, and Eno-esque art rock, scuzzy Royal Trux riffs, and detouring into tones and textures that call to mind ‘90s and 2000s pop.

RAHILL

Rahill Jamalifard is a multidisciplinary artist and musician hailing from Lansing, Michigan and presently based in upstate New York’s idyllic Hudson Valley. As a founding member of Brooklyn garage-rock mainstays, Habibi, Rahill garnered a reputation for alchemizing an eclectic range of influences, distilling them into captivating and heavy pop songs that gestured towards the modes and melodies of the Iranian/American household in which she was raised—a heritage she has continued to nurture via successive trips to Iran. This affinity for Iranian culture and music is increasingly present in her emergent solo output. Indeed, maps of her familial home cities, Shiraz and Isfahan, grace the insert of her upcoming debut solo LP, Flowers At Your Feet. The record arrives fresh off the heels of 2022’s Sun Songs, a collection of covers (more-so reinterpretations, really) of standards from an eclectic and personal pantheon of cherished songwriters. Sun Songs plays something like a statement of intent—documenting a diverse range of influences, some of which date back to Rahill’s years-long stint working at Academy Records in Brooklyn; Flowers At Your Feet, out 12th May on Big Dada. documents Rahill’s complete efflorescence as a singer/songwriter, while retaining the maturity, humility, and intimacy that suffused Sun Songs.