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DTSTART;TZID=America/New_York:20260808T200000
DTEND;TZID=America/New_York:20260808T200000
DTSTAMP:20260803T145731Z
URL:https://kingstonhappenings.org/events/lola-kirke/
SUMMARY:Lola Kirke
DESCRIPTION:“Sometimes you gotta write the songs you need to hear\,” mu
 sician\, actor and author Lola Kirke says of the title track of her new al
 bum Trailblazer. “The culture a lot of us are living in is designed to m
 ake you feel like you’re failing. That you’re headed in the wrong dire
 ction if you’re not consuming and conforming. It’s easy for me to forg
 et that. So I wrote a song to remind me.”Such is the affirmation that be
 gins Kirke’s third full length LP—a singular blend of classic country 
 tropes and ethereal sonic landscapes: “when you feel like a failure\, ba
 by you’re a trailblazer.” Released on the heels of her debut book\, a 
 memoir-in-essays entitled Wild West Village (Simon and Schuster 2025) chro
 nicling her dysfunctional upbringing in London and New York City\, the hig
 hs and lows of her career as an actress in Hollywood and her unusual path 
 to Nashville and country music\, it’s safe to say: Kirke’s trailblazin
 g ability isn’t so murky. In fact\, it’s dazzlingly clear.\nKirke foll
 ows her instincts in all facets of her creative life\, and music is no dif
 ferent. Getting ahead of the current “everybody’s making a Country alb
 um” trend\, she released the 80s country inspired Lady For Sale on Jack 
 White’s Third Man Records in 2022. Next\, she brought on country star El
 le King to produce her 2023 follow up Country Curious. “I wanted to make
  my version of feminist bro country\,” Kirke muses on the four song offe
 ring\, whose tent pole single “All My Exes Live in LA\,” included gorg
 eous backing vocals from First Aid Kit. “Kirke masters one of the hardes
 t things to do\,” premiere Roots music journal No Depression said of the
  EP. “Getting a laugh as she’s tugging on your heartstrings.” It is 
 perhaps this unique gift that helped Kirke sell out historic venues like N
 ew York’s Bowery Ballroom and West Hollywood’s iconic Troubadour\, as 
 well score an invitation to appear on CBS’ Saturday Morning “Saturday 
 Sessions” and make her Stagecoach debut earlier this year. “Everyone l
 oves Lola Kirke\,” wrote Holler. “If they don’t yet\, they will.”\
 nOn Trailblazer\, Kirke pivots once again\, embracing another thing altoge
 ther: her roots. It’s just that Kirke’s roots happen to be a little di
 fferent. “Rebellion is in my nature\,” Kirke\, whose father Simon is a
  founding member of Free and Bad Company\, half jokingly laments. “And I
 ’m really not saying that because I think it makes me sound cool because
  honestly for a lot of my life I would have preferred to just be normal. B
 ut now I see the value in being who I actually am. It’s certainly a lot 
 easier than trying to be someone else.” Teaming up with GRAMMY winning w
 riter/producer Daniel Tashian (Kacey Musgraves\, Sarah Jarosz)\, helped to
  galvanize this philosophy. “Daniel and I would write something like Bur
 y Me in New York City\, the last track on the record\, where I sing about 
 the city the way a lot of country songs sing about one street towns\, and 
 then I’d get all anxious it wasn’t country enough. But Daniel had the 
 vision. He was like ‘This album is gonna be a little bit country\, and a
  little bit rock n’ roll.’ And I was like ‘Like Donnie and Marie Osm
 ond?’ And he was like ‘No. Like you!’” Throughout the process\, Ta
 shian encouraged Kirke to embrace a more authentic version of herself. “
 He wouldn’t let me sing in a southern accent anymore which I guess is a 
 good thing because I don’t really have one\,” she laughs. “I love th
 e voice I discovered hiding underneath it.” With Trailblazer\, Kirke hop
 es listeners feel encouraged to embrace their own uniqueness too. On the a
 lbum’s second single\, the Pretenders-but-if-they-were-country Raised by
  Wolves\, Kirke puts this sentiment to song. “I was raised by wolves\, s
 he howls before appealing to the feral child in her listener\, I got a fee
 ling you were too.”\n“I wrote a lot of this album while writing my boo
 k\, while sitting in a trailer between scenes of a movie I was acting in\,
  in which my character was covered in fake blood\, which I don’t entirel
 y recommend as it’s very sticky\,” jokes Kirke. (To be specific\, the 
 “movie” she is referring to is Academy Award nominated director Ryan C
 oogler’s forthcoming Sinners\, released in IMAX March 7th). The result: 
 more personal songs like Easy on You\, about loving someone in the throes 
 of addiction or 2 Damn Sexy\, (co-written with the Pistol Annies’ Ashley
  Monroe) about loving yourself when society would have you feel otherwise.
  Even more subterranean yet are songs about Kirke’s family. On the intro
 spective Zeppelin 3\, Kirke reconciles with a strained paternal relationsh
 ip (“I guess he tried his best\, and I have to believe he would have tau
 ght me how to love but all he knew was how to leave”). In Mississippi\, 
 My Sister\, Elvis and Me\, a romp of a song that weaves like a road movie\
 , she sings about the pain and beauty of sister dynamics\, unveiling thems
 elves on the way to Graceland. With Marlboro Lights and Madonna\, written 
 with Natalie Hemby and frequent collaborator Jason Nix\, she makes an anth
 em for daughters of unconventional mothers everywhere.\nWhile some of the 
 songs on the album genre bend and bow in reverence for some of Kirke’s f
 avorite artists (The Band\, Gene Clark\, Joni Mitchell)\, she still sticks
  a country landing with more classic tears-in-your-beers songs like 241s a
 nd Hungover Thinking\, (the latter of which was co-written by the legendar
 y Liz Rose\, of Taylor Swift lore). “I need something I can take back to
  the Opry!” Kirke declares\, alluding to her 2024 debut\, a banner night
  in which she got to wear June Carter’s dress\, on loan from friend and 
 collaborator Rosanne Cash. “It was probably the closest I’ll ever get 
 to having a Bat Mitzvah. And by that I mean the closest I’ll ever come t
 o meeting god.”
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CATEGORIES:@Featured,@Newsletter,Music,Nightlife and entertainment
LOCATION:Levon Helm Studios(aka The Barn)\, 160 Plochmann Lane\, Woodstock\
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